{"id":208,"date":"2006-03-07T21:26:02","date_gmt":"2006-03-07T11:26:02","guid":{"rendered":"http:\/\/lostbiro.com\/blog\/?p=208"},"modified":"2006-03-07T21:50:50","modified_gmt":"2006-03-07T11:50:50","slug":"deconstruction-revisited","status":"publish","type":"post","link":"http:\/\/lostbiro.com\/blog\/?p=208","title":{"rendered":"Deconstruction revisited"},"content":{"rendered":"<p>Sharon pointed out a delightful post by <a href=\"http:\/\/embroideress.blogspot.com\/2006\/03\/deconstruction-gone-amok.html\">The Embroideress<\/a> titled &#8220;<em>Deconstruction Run Amok<\/em>&#8220;, on the work of  <a href=\"http:\/\/www.briangrossfineart.com\/exhibitions\/ssollins05.html\">Stephen Sollins<\/a> and I would have to agree with her that there is still a dominant tendency to cast &#8216;high art&#8217; as somehow &#8216;superior&#8217; to craft. I also agree with her statement that: <\/p>\n<blockquote><p>&#8220;It would have been far more interesting to me if he [Sollins] had reversed this order and examined the issue of craft as a greater value than art.&#8221;<\/p><\/blockquote>\n<p>In some ways I think this is what Australian artist and entertainer Rolf Harris aimed at in his &#8216;painting by numbers&#8217; community art project in Trafalgar Square in London last year &#8211; Rolf on Art.<\/p>\n<p><a href=\"http:\/\/www.rolfharris.com\/tv\/rolfonart1.htm\"><img decoding=\"async\" src=\"http:\/\/lostbiro.com\/blog\/wp-content\/rolfonart.jpg\" alt=\"Rolf on Art\" \/><\/a><\/p>\n<p>In some ways, what Rolf did was a playful reworking of the traditional painter as workshop concept &#8211; in this case taking an iconic &#8216;fine art&#8217; image of Holbein and rendering it as community art. This is a far reaching and more philosophically interesting version of the operation of deconstruction than that of Solens &#8211; who seeks to  somehow reassert the dominant vision of high art. <\/p>\n<p>Rolf&#8217;s project sets out to make high art accessible in a way that throws a spotlight on the techniques of the old masters &#8211; but less about that actual painting techniques, but rather the workshop system that made such paintings possible.<\/p>\n<p>Cheers<br \/>\nJerry<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sharon pointed out a delightful post by The Embroideress titled &#8220;Deconstruction Run Amok&#8220;, on the work of Stephen Sollins and I would have to agree with her that there is still a dominant tendency to cast &#8216;high art&#8217; as somehow &#8216;superior&#8217; to craft. I also agree with her statement that: &#8220;It would have been far [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-208","post","type-post","status-publish","format-standard","hentry","category-journal"],"_links":{"self":[{"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/208"}],"collection":[{"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=208"}],"version-history":[{"count":0,"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/208\/revisions"}],"wp:attachment":[{"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=208"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lostbiro.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}